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第七日,第八夜

类型:剧情片   其它 1969

主演:扬·利比切克,瓦茨拉夫·巴布卡,约瑟夫·贝克,Karel,Belohradsk..

导演:埃瓦尔德·朔尔姆

线路二

线路一

《第七日,第八夜》热点评论

本视频《第七日,第八夜》由老电影网www.bzfxk.com收集自网络发布。
◎第七日,第八夜影片详细介绍:
This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut o“You’re lucky, Marie.” “The ceiling is the last thing most people see before they die.”ff from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script.  The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.

◎第七日,第八夜影评:
为最后车内那几段话打上四星,他们只是士兵,除了士兵, 他们什么都不是。技术流的典范之作,口碑的两极化属于意料之中,这片子适合有情结的人去看,不适合想去看情节的人。到中间我都以为这片子是拍给奥斯卡看的,怎么连个提名都没有,愈发深入后才明白这片子是李安用来证明自己的,我反对有人说李安不懂美国文化,不懂美国文化的导演不会拍出如此真实的美国军人社会定位和个人属性。有人说情节弱,这类人适合看绿里奇迹,他们不懂李安的东方式的朦胧美。
影片用丰满的细节填充了剧情的单调
故事背景和原版一样,只是原版是浓浓的科幻风格,讲着一个科幻的故事,而新版只是空有科幻的背景,实质还是一个与现在无异的警匪故事

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