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◎魔鬼的陷阱影片详细介绍:
In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than h一度有种感觉,是不是她又投资了自己硬找了“国际团队”is later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

◎魔鬼的陷阱影评:
本来想把奸夫两口子弄到一起做个了断,不成想自己被人弄死了,好在奸夫电话打了给前女友,他老婆接了……
看了老子两周终于看完了 其实不是没时间看 只是前面剧情确实没那么吸引我 所以半看半不看的坚持了看完 到后来才渐入佳境 真的不错 最后二十分钟才是这部片子要讲的内容 想起了变异DNA 异种生物总是越变越像人类 其实说白了 也是人的自大 自诩为最完美的生物 纵使是外星物种 往完美进化也是望着人类的方向 但是所有的电影 都到此为止 到了稍微有些像人形的阶段就结束了 为什么? 因为人类不敢去想 不敢去思考 如果这种外星物种真的进化到人类外形内在阶段是否能够直接把人类取而代之 同时 这部电影却为我们表达了人类的奸诈 女主利用异形把她当作母亲的心里 诱骗杀死了它 从异形角度其实还蛮可悲的 全系列电影都是女英雄为主角 前几部对于母性有渲染 这两部反而要斩除母性 也算有所突破吧
情妇车祸开始,就觉得拔凉拔凉的,最后的很多关系都跟钱扯在了一起,男主其实是在为这个家庭认真的付出,但没有得到家人的理解

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